pandaemonaeum (![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png)
pandaemonaeum) wrote2010-02-17 06:20 pm
pandaemonaeum) wrote2010-02-17 06:20 pm
Rare Public Post
I very rarely post publically about my work.
Reason number 1 is that there are a dozen communities out there you can follow if you want to know boring day-to-day waffle about making and selling corsets. Reason number 2 is that I am often bogged down in the minutae of it; I love all the aspects of it, the different styles, the weird and wacky patents. Reason number 3 is that most of my friends just couldn't give a toss. Because this is my personal journal, and they're my friends, not my clients.
But I'm doing it today, because I am heartily sick of being called 'obsessive' and 'timid'. These people clearly don't know me.
When I was 14 years old, I started to express my personality in dress. You couldn't buy what I wanted to wear but that wasn't a problem, as I had been sewing since I could hold a needle. My great-aunt had worked in an atelier in Glasgow before her marriage and she taught me 'housewifely' skills. My mother didn't have much money and so made our clothes; she taught me how to use a sewing machine and commercial patterns.
10 years later, I was dressing up in one of my Victorian outfits to go out, and 'Gone With The Wind' was on. Marmee was tightlacing Scarlett (hahahaha) and I thought "I want one of those." There were no commercial patterns; there were no online corset resources; there were hardly any internet forums, let alone specialist ones. So I went to the University library and used the research skills my degree was teaching me to look up primary sources. And I was hooked. It took me 2 years alone to track down somewhere that stocked busks - I had to look it up in huge books of public records in a library, then telephone round places to see if they were still in business. Think of that when your Google-fu is weak.
In the ensuing 15 or so years, I have tried every combination imaginable in getting a wearable corset. I've used everything from buckram through to vintage suede. I regularly look at weird fabrics and think "would that make a nice corset?"
Every corset I make now starts with coutil and steel boning. If I don't use those, I call it a bodice. The reason for this is simple; I've tried everything else and this is what I feel is best.
If your mileage varies, fine. But stop calling me names for doing what I see fit.
Reason number 1 is that there are a dozen communities out there you can follow if you want to know boring day-to-day waffle about making and selling corsets. Reason number 2 is that I am often bogged down in the minutae of it; I love all the aspects of it, the different styles, the weird and wacky patents. Reason number 3 is that most of my friends just couldn't give a toss. Because this is my personal journal, and they're my friends, not my clients.
But I'm doing it today, because I am heartily sick of being called 'obsessive' and 'timid'. These people clearly don't know me.
When I was 14 years old, I started to express my personality in dress. You couldn't buy what I wanted to wear but that wasn't a problem, as I had been sewing since I could hold a needle. My great-aunt had worked in an atelier in Glasgow before her marriage and she taught me 'housewifely' skills. My mother didn't have much money and so made our clothes; she taught me how to use a sewing machine and commercial patterns.
10 years later, I was dressing up in one of my Victorian outfits to go out, and 'Gone With The Wind' was on. Marmee was tightlacing Scarlett (hahahaha) and I thought "I want one of those." There were no commercial patterns; there were no online corset resources; there were hardly any internet forums, let alone specialist ones. So I went to the University library and used the research skills my degree was teaching me to look up primary sources. And I was hooked. It took me 2 years alone to track down somewhere that stocked busks - I had to look it up in huge books of public records in a library, then telephone round places to see if they were still in business. Think of that when your Google-fu is weak.
In the ensuing 15 or so years, I have tried every combination imaginable in getting a wearable corset. I've used everything from buckram through to vintage suede. I regularly look at weird fabrics and think "would that make a nice corset?"
Every corset I make now starts with coutil and steel boning. If I don't use those, I call it a bodice. The reason for this is simple; I've tried everything else and this is what I feel is best.
If your mileage varies, fine. But stop calling me names for doing what I see fit.
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Now I am in a better position then you when it comes to research and resources. There is so much available at the moment.
A subject as corsetry is something that I love to speak and learn about. And there are things I feel quite strongly about. Ever since I found a propper coutil I never use anything else. If someone chooses to use something else it is all up to them. But at some point a thin cotton thing with plastic boning is not a corset anymore.
But calling people names because you disagree with them is juveline and silly!
Ofcourse now I am all worked up, and Maarten just does not understands what I am getting so angry about. :/
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*sigh* but this is the internet, just about everyone's gotta have their say.
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I totally agree with you- it is this very difference in the naming that cheapens real corset making- with the world and their wife wanting to pay £20 for a corset- and not accepting that a real corset needs quite a bit more than that for time and materials.
How the hell anyone can call you timid is beyond me hun! LOL!
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Possibly.
Either way, lol people are dumb. Stick to your guns, lovely lady. x